IN WESTERN PHILOSOPHY AND AESTHETICS a contrast is sometimes made between the Dionysian and the Apollonian. Made famous by Nietzsche, this schema was first used to describe the thought and art of Ancient Greece. On the Apollonian end we have all that is rational, intentional, structured, abstract, or well ordered; on the Dionysian side we find all that is passionate, instinctual, chaotic, sensual or protean. The Apollonian strain of western culture is associated with daylight, law, mathematics, sculpture, discipline, and the city; the Dionysian strain is associated with nightfall, violence, poetry, music, drunkenness, and nature. The Apollonian element is stereotypically male; the Dionysian element is stereotypically female. The Apollonian ideal is realized by the solitary philosopher solemn in thought. The model Dionysian is an ecstatic madman frenzied in a crowd.
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